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汉服

汉服

汉服
维基百科,自由的百科全书

目录 [隐藏]
1 历史和发展
2 特点与样式
2.1 历代基本样式
2.1.1 配饰
3 汉服与文化
4 对周边民族服饰的影响
4.1 中国北魏鲜卑族改穿汉服
4.2 日本服装和服
4.3 朝鲜服装韩服
4.4 越南服装越服
5 注释
6 参见
7 外部链接

历史和发展
汉服是世界上历史最悠久的民族服饰之一。


身着汉服的轩辕黄帝在有现有考古实物支持的年代之前,一些古籍的观点认为,汉族(及其先民)已有独特的服装体系了。例如,《史记》认为“华夏衣裳为黄帝所制”[1]。

有人认为:约五千年前,中国在新石器时代的仰韶文化时期,就产生了原始的农业和纺织业,开始用织成的麻布来做衣服,后又发明了饲蚕和丝纺,人们的衣冠服饰日臻完备。黄帝时代冕冠出现,服饰制度逐渐形成。夏商以后,冠服制度初步建立,西周时,逐渐完备。周代后期,由于政治、经济、思想文化都发生了急剧的变化,特别是百家学说对服饰的完善有着一定的影响,诸侯国间的衣冠服饰及风俗习惯上都开始有着明显的不同。并创造深衣。冠服制被纳入了“礼治”的范围,成了礼仪的表现形式,从此中国的衣冠服制更加详备。
汉族的这一服饰制度自周代至明代,三千年来汉人服装的基本特征是没有大的改变。
直到三百多年的清初,这一服饰制度才被迫中止。1644年明朝灭亡后,清在与南明的战争中,清朝统治者为了达到削弱汉人的民族认同感,以达到长期统治中国的目的,而大力推行满族发型和满族服装,勒令禁止人民穿戴汉族服饰,“留发不留头”,推行了血腥残暴的政策(“史称“剃发易服”(“剃发”也作“薙发”)。为此遭到中国各地民众的反抗,使暂时平稳下来的中国到处狼烟四起,发生了江阴大屠杀等一系列屠杀行为,超过千万平民百姓死在屠刀之下,这使得汉服逐渐消亡。
当时孔子的后裔衍圣公孔闻謤上书多尔衮,请求保存孔府家服饰,说:“先圣为典礼之宗……定礼之大要莫于冠服……惟臣家衣冠,三千年来未曾变易……”,遭到多尔衮拒绝。 今天的旗袍、长衫、马褂都是以满族为主体的民族服饰的改良和发展而来。清朝统治期间爆发的多次农民起义,如白莲教、太平天国、捻军等都身着汉族风格的衣服,并要求其统治区的人们恢复汉族式样的衣服,此时距离明朝灭亡已久,虽然农民军衣服也已经很大程度清朝化了,但其头巾衣服等还是恢复了明显的汉族风格。太平天国的将领拒绝清朝式样的战服,宁愿穿戏服作战。
辛亥革命推翻清朝的统治之后,孙中山即下“剪辫令”,人们剪去了拖在脑后的那条象征奴隶的辫子,但思想趋于西化,改穿西式服装,没有恢复汉服。但在21世纪初,有一些人为了重新唤起民族精神,重新倡导恢复汉服并身着汉服进行推广。对于这个正在兴起的现象,社会上有各种不同的看法,详见汉服运动。

《韩熙载夜宴图》(局部)中的汉服汉服(又称汉装或华服)即汉族的传统民族服饰,主要是指中国明末(17世纪中叶)以前,汉族(及汉族的先民)以民族文化为基础,在自然的文化发展和民族交融过程中形成的具有民族特点的服装体系。换言之,汉服是上溯炎黄,下至宋明,汉(先秦时期则为华夏)族人民所穿著的服饰为基础,并在此基础上自然发展演变而形成的一种明显具有独特风格的一系列服饰的集合。汉服的主要特点是交领、右衽,不用扣子,而用绳带系结,给人洒脱飘逸的印象。

[] 特点与样式
汉服具备独特的形式,其基本特征是交领、右衽、系带、宽袖,又以盘领、直领等为其有益补充。

汉服的基本款式大约有九类,在基本款式下又因其领口、袖型、束腰、裁剪方式等的不同变化演绎出几百种款式。他与西服大不相同,与那些即使受到汉服影响而产生的韩服、和服等服饰也不同,足以体现华夏民族的特色。因为是一个体系,可以演绎出多种款式,所以,足以满足大家的个人爱好。
从形制上看,主要有“上衣下裳”制(裳在古代指下裙)、“深衣”制(把上衣下裳缝连起来)、“襦裙”制(襦,即短衣)等类型。其中,上衣下裳的冕服为帝王百官最隆重正式的礼服;袍服(深衣)为百官及士人常服,襦裙则为妇女喜爱的穿着。普通劳动人民一般上身着短衣,下穿长裤。
汉服虽然是平面剪裁,但用料远远大于覆盖人体的需要。在裁剪之时,看上去虽然是平面直线的,但是穿在人的身上,配合以束腰等手段,就会随着人体的结构,呈现出不同的曲线,无论从正面、侧面、背面,都十分优美动人,和环境共同成为灵动的艺术品。汉服不仅重视人体的各个侧面的线型,而且还注重人与环境对服饰的影响。果说西服是三维的艺术,那么汉服至少是四维(加人体结构和动作)甚至是多维(加气流等环境因素)的艺术。汉族传统服装中,贵族服饰的大袖,不仅是袖径的宽大,也表现为袖子的长度超长。官员与老人的袖子延至手后,又可以挽回相当的长度。汉服袖径宽大时可到四尺,这种宽大的剪裁,使得汉服在穿着起来之后,可以行成如行云流水般的流线,随风而动,但毫不拖拉。给人宽袍大袖、仙风道骨的感觉。

[] 历代基本样式
汉服男装的式样基本有两种:

1,自“黄帝垂衣裳而天下治”传下来的大襟右衽交领宽袍大袖博衣裹带那种(秦汉服饰为代表),延续了夏,商,周(春秋战国),秦,汉,三国两晋,南北朝,隋,唐,五代,宋,蒙元,明。并影响了日本,朝鲜等国。日本和服最常见的式样就是这种。
2,自隋唐开始盛行的圆领衫(唐太宗李世民所穿) 延续了唐,五代,宋, 蒙元,明。并影响了日本,朝鲜等国。 常见的宋太祖,明太祖画像中所穿均是这个类型服饰。至今日本天皇出席某些场合穿的服饰就是这种汉服的变种。注意这种圆领袍衫也是右衽的,在右肩附近用束带系扎。
女装在早期和男装类似,也穿深衣,后来则以襦裙为主。
隋唐时期曾流行过窄袖紧身翻领的胡服,但那些胡服基本是作为流行服饰来穿的(或者说是出于猎奇心理),并不是汉族传统民族服饰。
汉族各朝服饰某些地方有些不同,但主体部分相同。西汉的深衣和明朝的汉服基本式样是相同的,只是在细枝末节上不同。
春秋战国时期,服饰大致沿袭商代的服制,只是略有变化。衣服的样式比商代略宽松。衣袖有大小两式,领子通用矩领。没有扭扣,一般在腰间系带,有的在带上还挂有玉制的饰物。当时的腰带主要有两种:一种以丝织物制成,叫“大带”或叫“绅带”。另一种腰带以皮革制成,叫“革带”。这时出现了曲裾深衣,与其他服装相比,除了上衣下裳相连这一特点之外,还有一明显的不同之处,叫“续衽钩边”。“衽”就是衣襟。“续衽”就是将衣襟接长。“钩边”就是形容衣襟的样式。它改变了过去服装多在下摆开衩的裁制方法,将左边衣襟的前后片缝合,并将后片衣襟加长,加长后的衣襟形成三角,穿时绕至背后,再用腰带系扎。
秦尚黑,所以秦的服饰标准色都是黑色。但式样依然是大襟右衽交领这种。基本沿袭战国时期。
汉代的男子的服装样式,大致分为曲裾、直裾两种。曲裾,即为战国时期流行的深衣。汉代仍然沿用,但多见于西汉早期。到东汉,男子穿深衣者已经少见,一般多为直裾之衣,但并不能作为正式礼服。秦汉时期曲裾深衣不仅男子可穿,同时也是女服中最为常见的一种服式,这种服装通身紧窄,长可曳地,下摆一般呈喇叭状,行不露足。衣袖有宽窄两式,袖口大多镶边。衣领部分很有特色,通常用交领,领口很低,以便露出里衣。如穿几件衣服,每层领子必露于外,最多的达三层以上,时称“三重衣”。另外,汉代窄袖紧身的绕襟深衣。衣服几经转折,绕至臀部,然后用绸带系束,衣上还绘有精美华丽的纹样。
汉代的直裾男女均可穿着。这种服饰早在西汉时就已出现,但不能作为正式的礼服。原因是古代裤子皆无裤裆,仅有两条裤腿套到膝部,用带子系于腰间。这种无裆的裤子穿在里面,如果不用外衣掩住,裤子就会外露,这在当时被认为是不恭不敬的事情。所以外要穿着曲裾深衣。以后,随着服饰的日益完备,裤子的形式也得到改进,出现有裆的裤子。由于内衣的改进,曲裾绕襟深衣已属多余,所以至东汉以后,直裾逐渐普及,并替代了深衣。
魏晋南北朝时期,男子的服装有时代特色,一般都穿大袖翩翩的衫子。直到南朝时期,这种衫子仍为各阶层男子所爱好,成为一时的风尚。
魏晋时期妇女服装承袭秦汉的遗俗,在传统基础上有所改进,一般上身穿衫、袄、襦,下身穿裙子,款式多为上俭下丰,衣身部分紧身合体,袖口肥大,裙为多折裥裙,裙长曳地,下摆宽松,从而达到俊俏潇洒的效果。
唐代,官吏除穿圆领窄袖袍衫之外,在一些重要场合,如祭祀典礼时仍穿礼服。礼服的样式,多承袭隋朝旧制,头戴介帻或笼冠,身穿对襟大袖衫,下着围裳,玉佩组绶等。
襦裙是唐代妇女的主要服式。在隋代及初唐时期,妇女的短襦都用小袖,下着紧身长裙,裙腰高系,一般都在腰部以上,有的甚至系在腋下,并以丝带系扎,给人一种俏丽修长的感觉。中唐时期的襦裙的比初唐的较宽阔一些,其它无太大变化。
五代时期服饰基本筵沿袭了唐朝服饰。
宋朝汉族男子服饰服沿袭了大襟右衽交领和圆领这两种传统服饰式样。宋朝汉族女服基本式样有两种:大襟右衽交领和对襟。女装相比男装要富于变化些。
蒙元时期虽然没有下达后来满清那种“剃发易服”令,但胡风胡俗还是有一定影响。明太祖朱元璋登基后,诏令“衣冠制度悉如唐宋之旧”。因此明朝汉族男子服式依然沿袭了大襟右衽交领和圆领这两种传统服饰式样。明代妇女的服装,主要有衫、袄、霞帔、背子、比甲及裙子等。衣服的基本样式,大多仿自唐宋,一般都为右衽,恢复了汉族的习俗。

[] 配饰
头饰是汉族服饰的重要部分之一。

古代汉族男女成年之后都把头发绾成发髻盘在头上,以笄固定。男子常常戴冠、巾、帽等,形制多样。
女子发髻也可梳成各种式样,并在发髻上佩带珠花、步摇等各种饰物。鬓发两侧饰博鬓,也有戴帷帽、盖头的。
古汉服的鞋也是很讲究的,在传统绘画和戏曲中体现出来的履与其它民族的有很大不同,有的有很厚的鞋底, 鞋头往往有翘起的的装饰。
佩剑也是古汉服的一部分,士人着正式服装往往有佩剑。

[] 汉服与文化
中国又称“华夏”,这一名称的由来就与汉服有关。《尚书正义》注:“冕服华章曰华,大国曰夏。”《左传•定公十年》疏:“中国有礼仪之大,故称夏;有章服之美,谓之华。”中国自古就被称为“衣冠上国,礼仪之邦。”而“衣冠”便成了文明的代名词。比如五胡乱华之时,原先在中原地区的知识分子及各阶层人民纷纷逃亡到南方,保留了中原文明的火种,而逐渐把江南开发成繁华富庶之地,这一事件史称“衣冠南渡”。

“汉服”一词的记载最早见于《汉书》:“后数来朝贺,乐汉衣服制度”。这里的“汉”主要是指汉朝,是指汉朝的服装礼仪制度。所谓“汉族”的形成,直接与汉朝有关。正如胡人传统服饰叫“胡服”,汉人传统服饰也就有了相对应的名称“汉服”。所以,后来这个词汇的基本内涵也固定下来,即汉族传统服饰。它最初是其他民族对汉人传统服饰的称呼,进而成为汉人自我认同的文化象征。到了宋元明时期,一些异族执政者明确地用“汉服”来指称汉人服饰,如“辽国自太宗入晋之后,皇帝与南班汉官用汉服;太后与北班契丹臣僚用国服,其汉服即五代晋之遗制也。”元代修《辽史》时,甚至专门为汉服开辟了一个“汉服”条。


[] 对周边民族服饰的影响
[] 中国北魏鲜卑族改穿汉服
北魏孝文帝禁止穿鲜卑服装,一律改着汉服。495年1月13日(太和十八年十二月初二日)。北魏孝文帝大力推行了一系列汉化政策,主要内容有:

禁止穿鲜卑服装,一律改着汉服。
禁止说鲜卑话,以汉语为唯一通行语言。
凡迁到洛阳的鲜卑人,一律以洛阳为籍贯,死后葬在洛阳,不准归葬平城。
改鲜卑姓为汉姓。首先从皇室做起,把拓跋氏改为元氏,“其余所改,不可胜纪(记)”。还规定鲜卑族的八个大姓与汉人头等贵族崔、卢、李、郑四姓门第相当,鲜卑八个大姓以外的贵族也规定了品级。使鲜卑贵族也和汉族一样实行门阀制度。
禁止鲜卑族同姓通婚,鼓励鲜卑族按门第与汉人结婚。孝文帝还率先做起,纳汉族大姓的女子做后妃 并为他的五个皇弟娶汉族大姓的女子作正妻,同时把公主们嫁给汉族大姓。
尽管遭到一部分鲜卑贵族的阻挠和反对。孝文帝的改革最终得以成功,极大的促进了民族融合,此后仅经过数十年时间,中原的鲜卑等各少数民族就基本上和汉族人民融为一体了。


[] 日本服装和服
和服,在日本称为“着物”或者“吴服”,意为从中国的吴地(今江浙一带)传来的服装。在日本的奈良时代,也即中国的盛唐时期,日本派出大量遣唐使到中国学习中国的文化艺术、律令制度,这其中也包括衣冠制度。当时他们还模仿唐制颁布了“衣服令”。初期和服为唐服翻版,之后的盛装十二单的外套华服也被称为“唐衣”(李氏朝鲜礼服长上衣也称为唐衣,虽然两者已经有了更多的民族特色)。和服虽由汉服发展而来,但经过漫长的历史时期,已经发展岀自己的民族特色。如男服的裤子,江户时期之后女服腰带逐渐增宽到比较大的尺度,腰带鼓节移到后背并发展出种种样式,也是区别和服与汉服的主要标志。和服衣料上的纹饰等往往也具有鲜明的日本民族特色。


] 朝鲜服装韩服
唐代时期,新罗与唐朝交往甚密,服饰特点几乎与唐朝无异,李氏朝鲜中期之后韩服吸收了明朝服装式样,特别是女服朝高腰襦裙发展,而官服,朝服,宫廷重要礼服亦一直保留汉服制度,并随汉服变化而变化,如唐朝时官员的乌纱幞头的后系带为下垂带样式,新罗官员幞头同为此样式,而明代之后改为展角样式,李朝也改为短展角;如李朝王后大礼服一直都为中国皇后翟衣样式。而现代韩服和汉服的主要不同之处:汉服一般是交领右衽,也有对襟的(V字领),而朝鲜服装的交领不明显,近似小v领;女服裙子束的特别高,而且下摆十分宽大、蓬松。


[] 越南服装越服
越南古称交趾(中国称作“安南”),西元968年,丁部领(丁环)建立丁朝(大瞿越国),开始成为独立的封建王朝,两年后(970年)自称皇帝。在服饰上,尤其是宫廷礼服,皇帝、大臣的朝服,几乎就是中国汉族王朝宫廷礼服,皇帝、大臣朝服的翻版,试以越南末代皇帝保大所着之弁冠、兖服来看,与明朝宗藩服饰如出一辙,不过比之明朝皇帝,其造型显得小一号而已,以汉族帝王的正式礼服——冕旒兖服为例,明代皇帝的冕旒是十二旒的,越南是六旒的。满清占据中国之后的两百多年间,与中国南疆山水相连的越南,仍然完好的保存著明式衣冠,从十九世纪末二十世纪初法国殖民者在越南存留下来的许多珍贵照片和大量的历史资料可以明确的反映出这一点,有一个典型的例子就是,1898年驻云南府(今昆明)的法国领事方苏雅(Auguste Francois,1857年8月20日—1935年7月4日)所著龙袍的照片,被许多人误认为是古代皇帝的龙袍或者中国戏曲中的装束,实际上,方苏雅所著之服,乃是越南皇帝的朝服,从造型看,和明代宗藩、大臣的朝服一般无二。

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回复:汉服

Han Chinese clothing or Hanfu (Traditional Chinese: 漢服; Simplified Chinese: 汉服; Hanyu Pinyin: hànfú; Wade-Giles: han4fu2), also known as Hanzhuang (漢裝) or Huafu (華服) [1] refers to the historical clothing of the Han Chinese people, that are commonly worn before conquest by the Manchus and the establishment of the Qing Dynasty in 1644. The term Hanfu derives from the Book of Han, which says, "then many came to the Court to pay homage and were delighted at the clothing style of the Han [Chinese]." [2]

Han Chinese clothing is presently worn only as a part of historical reenactment, hobby, coming of age / rite of passage ceremonies, ceremonial clothing worn by religious priests or cultural exercise and can be frequently seen on Chinese television series, films and other forms of media entertainment. However, there is a movement in China and overseas Chinese communities to revive Han Chinese clothing in everyday life and incorporate in Chinese festivals or celebration.

Some costumes commonly thought of as typically Chinese, such as the qipao, are the result of Manchu influence and are regarded by purist advocates as not being "traditionally" Han. Today, most Han Chinese wear western-style clothing in everyday life.

History

An early portrait of Confucius showing him in Hanfu of the Spring and Autumn Period of the Eastern Zhou DynastyHanfu has a history of more than three millennia, and is said to have been worn by the legendary Yellow Emperor. From the beginning of its history, Hanfu (especially in elite circles) was inseparable from silk, supposedly discovered by the Yellow Emperor’s consort, Leozu. The first solidly historical dynasty known of in China, the Shang Dynasty (c.1600 BC-1000 BC), developed the rudiments of Hanfu; it consisted of a yi, a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt, called shang, worn with a bixi, a length of fabric that reached the knees. Vivid primary colours and green were used, due to the degree of technology at the time.

The dynasty to follow the Shang, the Western Zhou Dynasty, established a strict hierarchical society that used clothing as a status meridian, and inevitably, the height of one’s rank influenced the ornateness of a costume. Such markers included the length of a skirt, the wideness of a sleeve and the degree of ornamentation. In addition to these class-oriented developments, the Hanfu became looser, with the introduction of wide sleeves and jade decorations hung from the sash which served to keep the yi closed. The yi was essentially wrapped over, in a style known as jiaoling youren, or wrapping the right side over before the left, because of the initially greater challenge to the right-handed wearer (the Chinese discouraged left-handedness like many other historical cultures, considering it unnatural).

In the Eastern Zhou Dynasty, the "Deep Robe" (shenyi) appeared a combination of tunic and skirt. The upper and lower halves were cut separately but sewn as a single unit. An additional change was the shaping of the left side of the costume into a corner, fastened on the chest. Perhaps because of Confucian influence, disapproving of a hierarchical society in favour of social mobility based on personal merit, the shenyi was swiftly adopted. There still existed an elite however, and they monopolised the more ornate fabrics and grandiose details.

[edit] Garments
The style of Han Chinese clothing can be summarized as containing garment elements that are arranged in distinctive and sometime specific ways. This is different from the traditional garment of other ethnic groups in China, most notably the Manchurian influenced Chinese clothes, the qipao, which is popularily considered to be the sole style of tradition Chinese garb. A comparison of the two styles can be seen as follows:

Component Han Manchu
Upper Garment Consist of "yi" (衣), which have loose lapels and are open Consist of "pao" (袍), which have secured lapels around the neck and no side openings
Lower Garment Consist of skirts called "chang/shang" (裳) Consist of pants or trousers called "ku" (褲)
Collars Diagonally crossing each other, with the left crossing over the right Parallel verticle collars with parallel diagonal lapels, which overlap
Sleeves Long and loose Narrow and tight
Buttons Sparingly used and concealed inside the garment Numerous and prominently displayed
Fittings Belts and sashes are used to close, secure, and fit the garments around the waist Flat ornate buttoning systems are typically used to secure the collar and fit the garment around the neck and upper torso

Shenyi (深衣) a type of Han Chinese clothing commonly worn from the pre-Shang periods to the Han Dynasty. This form is known as the quju (曲裾) and worn primarily by women
Another type of Han Chinese Shenyi (深衣) commonly worn from the pre-Shang periods to the Han Dynasty. This form is known as the zhiju (直裾) and worn primarily by menA complete Hanfu garment is assembled from several pieces of clothing into an attire:

Yi (衣): Any open cross-collar garment, and worn by both sexes
Pao (袍): Any closed full-body garment, worn only by men in Hanfu
Ru (襦): Open cross-collar shirt
Shan (衫): Open cross-collar shirt or jacket that is worn over the yi
Qun (裙) or shang (裳): Skirt for women and men, respectively
Ku (褲): Trousers or pants
People are also able to accessorize with tassels and jade pendants or various ornaments hung from the belt or sash, known as pei (佩).


[edit] Hats and headwear
On top of the garments, hats (for men) or hairpieces (for women) maybe worn. One can often tell the profession or social rank of someone by what they wear on their heads. The typical male hat or cap is called a jin (巾) for commoners and guan (冠) for the priviliaged. Officials and academics have a separate set of hats for them, typically the putou (幞頭), the wushamao (烏紗帽) and the si-fang pingding jin (四方平定巾; or simply, fangjin: 方巾). A typical hairpiece for women is a ji (笄) but there are more elaborate hairpieces.


[edit] Style
Han-Chinese clothing had changed and evolved with the fashion of the days since its commonly assumed beginnings in the Shang dynasty. Many of the earlier designs are more gender-neutral and simple in cuttings. Later garments incorporate multiple pieces with men commonly wearing pants are women commonly wearing skirts. Clothing for women usually accentuates the body's natural curves through wrapping of upper garment lapels or binding with sashes at the waist.


[edit] Informal wear
Types include tops (yi) and bottoms (divided further into pants and skirts for both genders, with different terminologies qun for females and shang for males), and one-piece robes that wrap around the body once or several times (shenyi).


Two traditional forms of ruqun (襦裙), a type of Han Chinese clothing worn by women. Cuffs and sleeves on the upper garment may be tighter or looser depending on style. A short skirt or a weighted braid (with weight provided by a jade or gold pendant) is sometimes worn to improve aesthetics or comfort of the basic ruqun.Shenyi (深衣): a long full body garment
Quju (曲裾): diagonal body wrapping lapels
Zhiju (直裾): straight lapels
Zhongyi (中衣) or zhongdan (中單): inner garments
Shanqun (衫裙): a short coat with a long skirt
Ruqun (襦裙): a top garment with a separate lower garment or skirt
Kuzhe (褲褶): a short coat with trousers
Zhaoshan (罩衫): long open fronted coat
A typical set of Hanfu can consist of two or three layers. The first layer of clothing is mostly the zhongyi (中衣) which is typical the inner garment much like the Western sense of a T-shirt and pants. The next layer is the main layer of clothing which is mostly closed at the front. There can be an optional third layer which is often an overcoat called a zhaoshan which is open at the front. More complicated sets of Hanfu can have many more layers.

For footwear, white socks and black cloth shoes (with white soles) are the norm, but in the past, shoes may have a front face panel attached to the tip of the shoes. Daoists, Buddhists and Confucians may have white stripe chevrons.


[edit] Formal wear

Men and women in xuanduan formal wear at a Confucian ceremony in China.A piece of Hanfu can be "made formal" by the addition of the appropriate long front cloth panel attached from the waist belt called a bixi (蔽膝), a zhaoshan and a guan.

Formal garment may include:

Xuanduan (玄端): a very formal dark robe; equivalent to the Western black tie or white tie
Yuanlingshan (圓領衫), lanshan (襴衫) or panlingpao (盤領袍): closed, round collared robe; mostly used for official or academical dress
Mianfu (冕服): official dress for emperors
The most formal Hanfu that one can wear is the xuanduan (sometimes called yuanduan 元端 [3]), which consists of a black top garment that runs to the knees with long sleeve (often with white piping), a bottom red chang, a red bixi (which can have a motif and/or be edged in black), an optional white belt with two white streamers hanging from the side or slightly to the front (like adding a white bow tie on a Western dinner suit to convert it to a full evening suit), and a long black guan. Additionally, wearers may carry a jade gui (圭) or a long wooden tablet (used when greeting royalty). This form of dress is mostly used in sacrificial ceremonies such as Ji Tian (祭天) and Ji Zu (祭祖), etc.


[edit] Ethnic identity
According to Kong Yingda's commentary to the Zuo Zhuan, Chinese clothing plays an important role in the Chinese ethnic identity. It says, "In China, there is the grandeur of rites and social conduct; that is why it is called Xia (夏). There is the beauty of dress and decoration; this is called Hua (華) [4]." The words Hua and Xia combine to form the word Huaxia (華夏), which is a name that is often used to represent the Chinese civilisation.
 

回复:汉服

本文详实丰富,值得称赞!!
但有几个破绽:
第一、汉以后,男子官服似乎变化较小,但女装的变化还是很大的。所以汉服概念并非那么容易确定;
第二、没有清晰划分贵族服饰和平民服饰,也没有清楚地讲礼服、朝服、常服、行服、雨服的区别!古代服饰是与其社会结构和阶层紧密联系的。今日一提汉服,人人皆抓来乱用,怎么好看怎么穿,丝毫不讲礼制僭 越——这完全与尊古复礼的意义相背!
最后编辑admin 最后编辑于 2007-09-15 10:15:16
 
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